|Marwan Hussein, Faisal Talal, and Moe Al Ansari of Acrassicauda |
Yosimar Gomez/Courtesy of Acrassicauda
Then, in 2003, the U.S. invaded, and life became a hellish cycle of checkpoints, explosions and murders. Marwan Hussein and Talal were almost killed by a car bomb, Aziz's house was damaged by a mortar, and the band's rehearsal space was blown up, probably by a rocket. "We've seen some shit, man," says Hussein. "You see stuff that makes you question your existence."
A few years later, Acrassicauda fled to Syria. Meanwhile, a Vice documentary, Heavy Metal in Baghdad, helped make them media darlings — and high-profile targets for extremist groups, who often attacked Western-style musicians. A flicker of fame turned Acrassicauda into permanent exiles.
Feeling responsible, the filmmakers who had made them famous helped them get refugee visas to the U.S. in 2008. The bandmates eventually wound up in Elizabeth, New Jersey, and started grinding it out on the local metal scene, scoring an opening slot for industrial-rock vets Ministry (frontman Al Jourgensen called them his "favorite metal band in the world"). They finally made it into the studio last September to cut their debut, Gilgamesh, a Kickstarter-funded heavy-metal tour de force named after an ancient Sumerian legend.
(Keep reading at Rolling Stone.)